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        <title>Stories — ajb007</title>
        <link>https://www.ajb007.co.uk/index.php?p=/</link>
        <pubDate>Thu, 09 Jul 2026 21:41:59 +0000</pubDate>
        <language>en</language>
            <description>Stories — ajb007</description>
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        <title>Imaginary Conversations</title>
        <link>https://www.ajb007.co.uk/index.php?p=/discussion/52835/imaginary-conversations</link>
        <pubDate>Sat, 18 Jul 2020 21:36:30 +0000</pubDate>
        <category>General James Bond Chat</category>
        <dc:creator>Barbel</dc:creator>
        <guid isPermaLink="false">52835@/index.php?p=/discussions</guid>
        <description><![CDATA[Some of these have a grain of truth in them, but  don't be looking for accuracy.<br />
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<br />
Mid 1950s.<i>(London.)</i><br />
<br />
Chandler: Another drink, Ian?<br />
Fleming: But of course. Three measures of Gordon's, one of-<br />
Chandler: Yes, I think we've all got the recipe by now. Ian, you must try harder to merge genre fiction with your literary ambition.<br />
Fleming: I know, but it's all getting too much for me. In fact, I'm considering not continuing the series, and that could mean the death of Bond.<br />
Chandler: Oh, don't do that my boy!<br />
Fleming: What do you mean?<br />
Chandler: I'd never kill off Philip Marlowe, I might need him again someday. In my next book, I'm going to <i>marry</i> him off!<br />
Fleming: Hmmm.... marry him off...<br />
Chandler: Yes, less of a big sleep and more of a long goodbye.<br />
Fleming: Thanks, Ray, I'll keep that in mind for later.<br />
Chandler: So, you won't kill him off then?<br />
Fleming: I'll give it some thought. I'd never say never again.<br />
Chandler: Be careful now...<br />
<br />
<br />
<br />
Late 1950s <i> (Fleming’s Jamaica villa, Goldeneye)</i><br />
<br />
Kevin: So, guys, it’s time we got down to writing this thing.<br />
Ian: But of course. I have this idea about a plane-<br />
Jack: A planeload of celebrities! It gets hijacked and Bond has to save them all?<br />
Ian: Well, I was thinking more of a warplane with atomic bombs onboard.<br />
Jack: Right! And it comes down in the Bahamas-<br />
Ian: And an evil organisation steals the two bombs-<br />
Jack: And threatens the Western powers-<br />
Ian: And Bond gets sent there, where he meets-<br />
Jack: His American pal Felix-<br />
Ian: And the beautiful Domino, who is the mistress of the mysterious Largo-<br />
Jack: Who works for the evil organisation-<br />
Ian: Called SPECTRE. The leader is called Ernst Stavro Blofeld-<br />
Jack: And their HQ is in Paris-<br />
Ian: And they bribe a NATO pilot called Petacchi-<br />
Jack: Whose sister is the beautiful Domino-<br />
Ian: Who Bond seduces. There’s a lot of swimming underwater-<br />
Jack: As Bond and Felix go hunting for the plane-<br />
Ian: Which they find, but Largo has already hidden the bombs-<br />
Jack: And we have this great underwater battle-<br />
Ian: At the end of which Largo has Bond at his mercy, till he’s killed by Domino.<br />
Kevin: <i>(Scribbling away.)</i> Sounds great guys. Let me just add “Written by Kevin McClory, Jack Whittingham and Ian Fleming” and we’re ready to go.<br />
<br />
<br />
<br />
<br />
Late 1970s <i>(On set.)</i><br />
<br />
Roger: My name’s Bond, James Bond.<br />
Lewis: Cut! And print! Ok, everyone, that’s us for the day.<br />
Cubby: Well done as usual, Roger.<br />
Roger: Thanks, Cubby. Fancy a game of backgammon?<br />
Cubby: <i>(Looks at watch.)</i> Not enough time- let’s go and see how Maurice is doing shooting the titles.<br />
<i>(They wander over to the next set, where Maurice Binder is busy with a succession of beautiful models in various stages of nudity.)</i><br />
Maurice: Hi guys, just give me a moment here.<br />
<i>(He kneels before one of the models and works away.)</i><br />
Roger: I, er, hate to disturb a man at his work Maurice, but what exactly are you up to?<br />
Maurice: I’m smoothing down her pubic hair with this Vaseline so it won’t show in silhouette. Got to keep the censor happy.<br />
Cubby: <i>(Jaw dropping.)</i> Pubic hair? Vaseline?<br />
Roger: Let me get this straight- Cubby, you’re the producer of this movie and I’m the star. Why does HE get all the good jobs?<br />
<br />
<br />
<br />
<br />
Late 1980s. <i>(On set, open air.)</i><br />
<br />
John: Right, Tim, all I need is a few close-ups of you on this plane model and then we’ll get Paul Weston to take over for the really high shots.<br />
Timothy: It doesn’t look that hard, John, I’d like to have a crack at that myself.<br />
John: No can do, Tim, the insurance company won’t have it. Cubby would have both our heads.<br />
Tim: Well, Cubby isn’t here- go on, let me try.<br />
John: <i>(Doubtfully.)</i>  Hmm… just be careful.<br />
<i>(Dalton gets onto the plane, high up in the air, as Glen starts filming. Behind them, Cubby’s Rolls drives up to the set and he gets out.)</i><br />
Cubby: Morning, John.<br />
John: Ah… hello, Cubby.<br />
Cubby: Shooting going well? Where’s Tim?<br />
John: <i>(Stalling for time.)</i> Tim?<br />
Cubby: Yes, where’s Tim?<br />
<i>(Glen points abashedly up in the air.)</i><br />
Cubby: GET HIM DOWN!!! GET HIM DOWN NOW!!!]]>
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